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Three decades ago, a star-studded film hit the big screen but failed to achieve significant commercial success. Despite featuring notable talents such as Drew Barrymore, Andie MacDowell, Madeline Stowe, and Masterson, the movie titled Four Women and a Destiny could not capture audience attention in the way its producers hoped.
A Western with a Twist: The Female Perspective
The western genre has long been associated with male-centric narratives, where icons like John Wayne and Clint Eastwood dominate the landscape. Even today, the equation hasn’t shifted much; active female characters are still rare in typical cowboy tales. Yet, this framework began to be challenged in the 1950s with unforgettable films like Johnny Guitar and Forty Guns, which dared to showcase strong female leads.
From Visionary Beginnings to a Change in Direction
Fast forward to the release of Four Women and a Destiny in 1994, where the hope was to deliver a unique take on the genre through the lens of four talented actresses. Initially, the film was set to be directed by Tamra Davis. However, mid-production changes led to her departure, replaced by director Jonathan Kaplan. This shift stemmed from the studio’s desire for a more action-oriented approach, prompting a complete reimagination of the film’s concept.
A Tale of Friendship and Survival
At the film’s core is the gripping story of Cody Zamora, a prostitute who defends her friend Anita Crown from an abusive client, resulting in a death sentence that leaves her hanging by a thread. Luckily, her friends Eileen Spenser and Lilly Laronette come to her aid just in time. Together, they embark on a perilous escape to Texas, all while being relentlessly pursued by two Pinkerton detectives.
Mixed Reviews and Unanticipated Achievements
Unfortunately, Four Women and a Destiny was not received well by critics, earning a dismal 14% rating on Rotten Tomatoes, whereas audiences rated it at 40%. Though initial box office figures showed some promise, with fans eager for westerns, the film ultimately grossed only $15.2 million against its $23 million budget, a disappointing turnout considering the genre was once assured to attract crowds.
However, hidden within the disappointment of the film was the triumph of Andie MacDowell. She made history by being the first actress to have two consecutive films reach number one on the U.S. box office charts. Four Women and a Destiny took over the spot previously held by the romantic comedy Four Weddings and a Funeral, in which MacDowell starred alongside Hugh Grant. This achievement may be small, but for MacDowell, it’s a distinction that can never be taken away.
Despite the mixed reviews and lackluster box office performance, Four Women and a Destiny opened the door for discussions about female representation in westerns and cinema in general. As stories like these continue to emerge, we inch closer to redefining what the genre can encompass, exploring the complex narratives of women in a traditionally male-dominated space.
